Directed by Zal Batmanglij.
Co-Written with Brit Marling.
This little film certainly doesn’t want to be just another random little film. At least for
one hour and a half he challenges me, he makes me make a stand in my head to
what I want to believe. Think of this film as a challenge and as the challenge
gradually evolves, our heads get cleaner, the hands’ ritual gets fixed, the
sound of this woman’s voice becomes frightening and suddenly you’re questioning
everything. Not just this woman’s intentions, claiming that she comes from the
future, you question the people that go underground for her and would kill
themselves for an idea (cult). In my head, and I’m sure in a lot of others, I believe
in the sham of it all. It is not possible, it isn’t truth and that woman is a
smuggler. We are at the same position as our protagonists, Lorna and Peter, because
this is also what they believe. We follow them closely, through their gradual involvement
with this woman. You easily understand that every single step the followers do,
it’s just a proof to see how far they go for them, both for the woman and the
people behind her. All this trust becomes gradually more sickening. Our position
in this challenge is shaken when Peter starts to believe this woman. Should we
also believe? No, because this is the exact moment when you have to go back to
the beginning and think of the absurdity of it all; at least I thought. This is
also the moment in the film when a woman claims the truth about this woman from
the future, Maggie.
Brit Marling, playing Maggie, contributes to our uncertainty of this
woman’s intentions, especially in the way she lingers in the strength in
her words, how strongly she believes in them and the focus of reaching
something we don’t know. Maggie’s mind set always seems to be absolutely
focused on what she wants and Brit is really strong in here. I think it’s an overall good and consistent direction by Zal Batmanglij.
When the film ends, a few things are certain to me and one of them is
that human beings are capable of anything and this basic idea shouldn’t be underrated,
like it probably is every day by the most of us. This way, maybe people wouldn’t
be so shocked when their very nice and calm neighbor had a kid in his basement,
abusing him every day. It’s the human capacity, the strength in one’s mind to
believe in something and put all the energy in that thought and then where all
that strength might leads them it’s beyond everyone’s imaginations. But you can’t
say you don’t have a lot of good examples. I believe the writers also gave the
appropriate ending to their story, letting an open window, so to say, or more
like the final chapter of the challenge, which is passing the challenge to ourselves,
giving us the option, the benefit of the doubt. Given that the film it’s been
this all along, at the end of the day, the truth behind what we believe it isn’t
as significant as our decision to what we want to believe, being the core (or the question) of
the story, what we decide to believe and its repercussions. I think that’s what Zal and Brit want to question with this Sound of My Voice. At least that’s what I took from the film.
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