Directed by Richard Linklater.
Written by Linklater, Hawke and Deply.
Before Sunrise - Before
Sunset - Before Midnight.
Is this really the
last one? Is it really?
Watching Before
Midnight my feeling is I simply don’t want it to end, not at all. I want every
scene to be an endless one. Here’s why:
Every single sequence
of this film feels like a perfect universe, each one is as good as the previous,
for many reasons, like for instance, they’re fluid and balanced. They’re
perfectly consistent with everything else - the consistency in the continuity
of the films and their story; the consistency of Jesse and Celine; the
consistency of this chapter alone, on his own a really good storytelling.
The story of Jesse
and Celine has almost twenty years. In this film, you see a father saying
goodbye to his son in the airport after the successful summer vacations. Then
he comes back to his other children and his partner. And through a long
sequence, they present their current lives to us. Jesse and Celine are together
and they share children with each other, twins. Not only we become aware of
their familiar interaction but we are also presented to their current problem,
which will be the main conflict for the rest of the story. Then there’s also
the introduction to the space, their surroundings and their friends.
Before Midnight,
always running through the veins of its previous roads brings an intimate and
authentic depth about spending a life together and having kids. Of course in
the middle, there is plenty of space for the discussions of the current states
of love and friendship and relationships. Through their time spent with us, we
listen both the male and the female perspectives. So in the morning we are
divided between the men and the female spaces, with the men talking and the
women doing lunch. At lunch the perceptions on relationships and love takes its
natural and honest course, both with the female and male versions, but also
from the youth and from the elderly. They’re practical, authentic and
heartbreaking in their own distinctive ways. In the afternoon, through a walk
between the roads of the Greek island, we are presented to this couple in his
early forties looking back to what their lives as been made of so far. Like a
look back and a resume of what they are today, but also touching some notions
of how they’re presenting themselves to the future. While they discuss, they
never stop informing us, but it’s always so subtle, so balanced and natural. Like
the fact that they’re not a married couple. It is always so well written. Late
in the night comes what might be considered the painful truth.
One of the reasons
why this is such an accomplished tale, and compelling at all times, is that
you’re never tired of hearing them; even if it’s a drama, you have a huge smile
on your face throughout the entire time, including laughs. Jesse and Celine are
real. This film never stops being charming, never stops being relevant and
truthful. At times goofy, at times philosophical, at times romantic, at all
times entertaining.
Julie Delpy and Ethan
Hawke are vivid, sometimes even heartbreaking, but always amusing. The film has
beautiful locations, beautiful images. It’s everything I would hope for, except
I could never imagine it would be this way - this beautifully compelling way.
And then when Before
Midnight ended it was nearly midnight!
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