Sometimes, often rarely, a day comes out of a hundred,
that feels refreshing. Sometimes you read a book, and the story you read, out
of the hundred stories you’ve been listening throughout the year becomes
part of you because it’s sort of an extension of yourself. It’s that story you
wished to read, the story you want to read all over again, that is speaking to
you. But yet, you don’t know the story, so you read it, you enjoy more and
more, chapter by chapter, you giggle amused, you smile with shyness, you begin
to know these people, you begin to understand the meaningful story that
develops before your eyes, until the last words, it doesn’t fail to break your
heart, only to surprise you at the end.
Carol is one of the two books being adapted to the screen this year that I'm paying close attention and wanted to share with you. The other one is Jonathan Tropper's, "This is Where I Leave You".
(The story)
Therese is working in a toy store, the Frankerberg’s,
for the Christmas period. She’s a nineteen years old New Yorker aspiring to be
a stage designer who’s stuck in a period of stillness; she has a friend who
believes will be married to her one day, but she doesn’t feel any love for him.
People still treat her as this young fragile girl, absent of any parental
guideness. Her father died when she was a kid and she and her mother have long
departed from each other, putting an end to their relationship. People don’t
seem to mean much to her, or at least don’t alter her in any way. It’s like
she’s sleepy, perpetually, and something will have to wake her up sometime,
sooner or later. One day at the toy store as she’s working, right at the pick
of a rush hour, she glances at this beautiful woman’s eyes and she realizes she
can’t take her eyes off of her. This magnificent looking woman brought
something incredibly emotional, pure attraction out of her, that suddenly
that’s all it takes for Therese to wake up. Almost suffocated by this strong
feelings of affection, she sends the woman a Christmas card, and this is how
their story begins.
I love this story for many reasons, one them is how
clearly Highsmith creates these two opposing characters with Therese and Carol.
When a writer nails this aspect of the storytelling it becomes a stronger
compelling story. It’s in Therese’s young life and first love experience
opposed to Carol’s, who is just going through her divorce. It is the duality
that she creates between these two very strong women. In other lines, Highsmith
also brings a very accurate portrait of the lesbian history, in particular, how
many times women would lose their children in a divorce battle, for being
considered homosexuals, in a time long before the studies would prove how all the
reasons behind those decisions were wrong. It is also a road trip through
America, another popular picture from the fifties. The story it's always so
incredibly balanced, reliable and believable. I could be talking much more about the book but
I choose not to, reading it is the true treat. I love this book.
With book adaptations we often prefer them in
paper. We also tend to become the directors of the film, wanting to have done
it in a certain way, with different people. But the fact is that there are
books that really aren’t good material for the screen, I would say the most
basic and recent example in the Twilight series. Sometimes it’s just better to
stay in paper. Over the past few
years, that’s a series of books I would say it was a really bad (also
financially good) idea for a screen adaption. The films were all seriously
slashed for some reason. The Night Watch is another adaptation I prefer to
experience only in paper. But other times it works, a lot of times actually. Carol, to me, it actually works in my mind to the
screen. I think it might gather the elements for a good screen storytelling. It
makes me think that it can only become one of my favorite films of next year or
maybe more. And Cate Blanchett playing Carol is probably a dream come true, I
believe it’s the perfect choice. I couldn’t possibly think of a better one. She
easily becomes Carol in my mind. Then Mia Wasikowska is also a marvelous
interpretation of Therese, the protagonist of this story. But I feel rather timid when I think that the
adaptation is on its way. I don’t even want to mention it
often because it is still early, I’m afraid it will be postponed; the
production may fail, casting changes could happen and so on; because I really
hope this to go all the way. Nonetheless, I’ll be paying close attention.
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