Sometimes I get this 'tunnel vision'...
Tom Hooper is a
British talent, working his way with Epic proportions. Ben Affleck, a promising
American filmmaker, comes with Argo with a definite knowledge of what he wanted
to do and succeeding in the meantime. Steven Spielberg, an American treasure
working through the years relentlessly, keeps bringing stories to the screen
that sometimes translates important history. Ang Lee defies himself in every
possible way he finds, in every possible opportunity he gets; this time he
defies the balance between image and storytelling. Kathryn Bigelow with her
second feature about the recent American war on terror keeps struggling
fearlessly through the realms of the truth, to the representation of today’s
struggles in the American society.
These are some of
this year’s directorial achievements in the film or Hollywood film community. I
could go on and mention European filmmaker Michael Heneke with his strong,
eloquent authorship, Benh Zeitlin with his willingness and eagerness achieves
so much with so little that tranlated in an Oscar nomination for both. So we can say these
are all invaluable contributors to films, they promote quality, even if it
might be on distinct levels, emphasis on distinct.
Kathryn Bigelow is an
invaluable filmmaker, with her fearless willing, like the others I also
mentioned. And like the others I mentioned, they’re exceptional, like she’s
exceptional, she’s among them. I won’t be talking about sexism and every other
extreme demeaning orders of society, she’s among them and this is my entire
point. It should be nothing else but this.
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