I need to take a
moment of absolute appreciation to Abel Korzeniowski and his work for W.E, which
I’m listening as I’m writing this. Yes, I'm still fixated in Madonna's W.E and yes I watched it a couple of times more.
I don’t know how to
express this work, which I believe it’s masterful. His work sounds subtle but also extremely driven. It started
from the opening sequence of the film. As you watch it, the sound leads us the
way, all the ways emotionally, introspectively and just let us float through these
characters’s space in time. The sound let us float yes, the pace is
accelerated, it’s like it drives us, and it takes us. But even out of Madonna’s
world we want to hear the entire CD over and over again.
Sometimes I would
hear the entire CD three times in a day. It involves us and involves us, and
you can’t stop listening to it. I never been this stoned by an original movie
soundtrack since probably Dario Marianelli’s Pride and Prejudice.
A few more.
Not enough to hear it once.
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